Dec 17, 2017 Last Updated 11:30 PM, Dec 15, 2017

Planet Ancyra Chronicles Review

Published in Adventure
Read 817 times
Rate this item
(0 votes)
Tagged under

AMAZE-ING

Go on a journey with me, back in time. Remember when you were a kid, and you would get all dressed up in your Sunday best to go out to a mid-range family restaurant? You would get the kid’s meal, and the server would put a placemat in front of you, complete with a crayon. This placemat had all the greatest activities: a food-related word search, coloring, and the pièce de résistance – a maze, right in the middle. Now, imagine if they kept working on this flawless concept for decades. The maze becomes more complex. Music and 3D graphics are added, until this simple crayon and paper maze becomes an audiovisual experience. Years of research and development are put into making the labyrinth more challenging; breakthroughs are made, such as discovering that if everything looks the same, the maze can appear so senseless as to bring grown men to tears. Only the most patient and methodical of always-go-lefters make it to the end.

Well, look no further, fellow maze-colorer, this dream is reality. Its name is whispered in secret places: Planet Ancyra Chronicles.

A CONFUSING MISHMASH OF GAME ELEMENTS THROWN TOGETHER

Truth be told, Planet Ancyra Chronicles (PAC) has quality level design, and there are other, well-crafted elements in this title as well. The soundtrack, for example, is nice, with some eerie, light-electronic sounds, and there are some downright creepy sound effects. The artwork often strives to provide you with breathtaking scenery that adds to a feeling of vastness and solitude. The story is not all bad, and the universe is well fleshed-out with details. And yet, all these qualities somehow combine to make a pretty unenjoyable experience.

It feels as if there was a major miscommunication about what PAC was supposed to be. The beginning and end seem to be tacked on as afterthoughts to a different core plot that ended up being too short. In some areas, graphical elements, like rain, seem to be well executed, in others, they seem glitchy and incomplete. Unfortunately, most of the latter elements are thrown into the intro, making for a poor hook. The core portion of PAC tries (and almost succeeds) to be a psychological space horror, but the end switches to brightly lit scenery and optimistic colors in an attempt at a more philosophical message. The whole thing is a confusing mishmash of game elements thrown together.

A WASTE OF GOOD LEVEL DESIGN

But the elephant in the room, the crushingly obvious flaw, is that the levels were designed to be populated, and they are not. There are no weapons, and there is no way to die. This becomes clear minutes in, and even the cheapest of jump scares are castrated as a result. The developers clearly didn’t anticipate you to be unfazed by their occasional (very occasional) humanoid apparitions popping up, but you find yourself clipping through them at full speed because you forgot to be afraid. Other times, when the music becomes loud and ominous, you find yourself thinking “Should I turn around to see if something’s behind me?” but the answer is invariably “Nah”; there is never anything behind you.

That’s because, other than the jump scares, you are absolutely alone. The only people that talk to you are various AI, and the only people you see are essentially imaginary. There are no enemies, but the levels have been carefully designed to provide arenas and cover for combat; vestigial pieces of evidence lie about throughout: empty lockers, item boxes, gun references, and even some useless items, like health packs and ammo (which someone forgot to take out?). This comes to an absurd sort of climax when you actually find a pistol, but you can only pick it up, examine it, and put it back down.

The result of all this is hours of wandering between brief voiceovers through empty space stations and a planet colony. Your life becomes a task of finding the next switch to open a door somewhere, and then to find that door. It is, in other words, a glorified maze.

IF YOU’RE PATIENT ENOUGH, THERE IS A PLOT

The plot, without spoiling too much, is about a man who has awoken from hibernation to work at a planet colony, but the crews of the colony and the space station above have been decimated by a mysterious virus. You follow the instructions of an AI to figure out what happened, to try to find a cure so the virus doesn’t get back to Earth, and to investigate an alien AI that was discovered on the planet. Meanwhile, the alien AI taunts you, along with another woman who periodically chimes in to mock your sanity.

There are the makings of a good plot, and the voice acting is decent. The manmade AI is a polite yet slightly creepy female voice, the alien AI is a more forceful and ominous male voice, and the third woman is snotty and maniacal. However, mundane wandering disjoints the plot, and everything comes to an end all-too-quickly in gameplay time – even if it seems like an eternity in aimless-wandering-around time. As a result, the developers seemed to have appended another story at the end as a bit of a salve.

PAC frequently subverts itself in this manner. The ending section, while for some reason looking much more polished than the rest of the game, makes an attempt at philosophical depth by being esoteric and confusing. This isn’t helped by things like the loading screens, of which there are only three, to stare at over and over, and they are filled with weak arm-chair philosophy and typos. In the end, a lot of hard work and potential falls flat, and the only thing that ends up fitting perfectly into place is the overall theme of multiple personalities – because Planet Ancyra Chronicles has no idea what it wants to be.

4

The Verdict

Planet Ancyra Chronicles appears to be made by a team of developers who are each individually good at their jobs – the level design, the narrative design, and the score all have their moments. Unfortunately, it seems the team suffered from miscommunication, because this title’s individual parts struggle to fit together into a single, cohesive experience. Perhaps only the most persistent of players will be able to make it to the end of this otherwise interesting story.

Nicholas Barkdull

Nic is a freelance writer, doctoral student, and devout PC gamer. He says he's not a hipster but still insists that the best games are either decades old or made by one guy in a basement. This includes things like Undertale or any Final Fantasy that was released on Super Nintendo. He is also an RTS fanatic.

Related items

  • TARTARUS Review

    TARTARUS is a unique concept in that it makes computer puzzles come alive with realistic representations, where most titles try to make abstract mini games out of “hacking.” The plot and overall horror atmosphere don’t come together, however. Overall, this is a solid attempt at making light programming puzzles interesting, but more work needs to be done in this area before we see a title that is truly free of tedium.

  • EVERSPACE Hardcore Mode Arrives

    ROCKFISH Games launch the long-awaited EVERSPACE™ Hardcore Mode as a free update on Xbox One and the Windows 10 Store, upping the stakes and challenging even the most talented pilots. The brand new Hardcore Mode gameplay trailer shows what it has to offer.

  • Have you heard about DIE YOUNG?

    I’m sure you’ve already heard about DIE YOUNG, the visually impressive first person open world survival game set in an island in the Mediterranean Sea featured by Daphne, a brave heroine who tries to escape from this dangerous place.

More in this category: Albion Online Review »