Caleb is a resident of Austin Texas who had his passion for gaming sparked by the Sega Genesis, a passion that remains today with the PC and PS4. His favorite game is the first Max Payne, and he gravitates towards open worlds, western RPG’s, VR experiences, shooters, and action games. He is starting to dabble in game design and is working towards returning to college where he’ll finish his marketing degree.
Dead Rising 4 has a bit of an identity crisis. It neither commits to the open-world aspect enough to be considered exemplary in the genre, nor does it deliver enough of the mainstays of the series to satisfy longtime fans. Unfortunately, Dead Rising 4 marks the low point in the franchise, and while you may get some mindless enjoyment from killing zombie hordes, the fun is dying, not rising.
Rebellion Development took the groundwork laid by Sniper Elite 3 and improved upon nearly every aspect. Its large-scale environments feature an intelligent layout of objectives and abundance of sniper-aiding verticality. While Sniper Elite 4's music and story aren't going to win any awards, they aren't enough to take away from the respectable amount of content and addictive, strategy-based gameplay.
While it's commendable that a two-man team set out to create an adventure of relatively broad scope, I can't recommend Hero, especially not at its current price point. It does have decent music and sound effects, but the lackluster graphics, lack of polish and uninspired gameplay are too glaring to ignore.
Days of War features addicting and strategic gameplay that forces you to learn the handling of the weapons to succeed. Its sound design and graphics are also top notch, but the title slightly suffers from a lack of standout maps and some lackluster optimization. That being said, for 25 dollars and with more maps and modes already announced, not to mention the upcoming level editor, it's definitely worth a look.
Overwatch, DOOM, and Dark Souls 3 are just a few of the notable games released last year that garnered a slew of praise and awards. While the aforementioned games were, and still are, worthy of your time, I feel 2016’s “best game” distinction was most earned by IO’s Hitman. I say this despite initially passing on the game. Its episodic nature and perceived lack of content raised some red flags for me. So what makes Hitman a game that compels me to write about its virtues despite having no IO-Interactive stock? Well, let’s take a look.